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Odilon Redon French Symbolist Painter, 1840-1916
Bertrand-Jean Redon, better known as Odilon Redon (April 20, 1840 ?C July 6, 1916) was a Symbolist painter and printmaker, born in Bordeaux, Aquitaine, France. Odilon was a nickname derived from his mother, Odile.
Redon started drawing as a young child, and at the age of 10 he was awarded a drawing prize at school. At age 15, he began formal study in drawing but on the insistence of his father he switched to architecture. His failure to pass the entrance exams at Paris?? Ecole des Beaux-Arts ended any plans for a career as an architect, although he would later study there under Jean-L??on Gerôme.
Back home in his native Bordeaux, he took up sculpture, and Rodolphe Bresdin instructed him in etching and lithography. However, his artistic career was interrupted in 1870 when he joined the army to serve in the Franco-Prussian War.
At the end of the war, he moved to Paris, working almost exclusively in charcoal and lithography. It would not be until 1878 that his work gained any recognition with Guardian Spirit of the Waters, and he published his first album of lithographs, titled Dans le R??ve, in 1879. Still, Redon remained relatively unknown until the appearance in 1884 of a cult novel by Joris-Karl Huysmans titled, À rebours (Against Nature). The story featured a decadent aristocrat who collected Redon's drawings.
In the 1890s, he began to use pastel and oils, which dominated his works for the rest of his life. In 1899, he exhibited with the Nabis at Durand-Ruel's. In 1903 he was awarded the Legion of Honor. His popularity increased when a catalogue of etchings and lithographs was published by Andr?? Mellerio in 1913 and that same year, he was given the largest single representation at the New York Armory Show. In 1923 Mellerio published: Odilon Redon: Peintre Dessinateur et Graveur. An archive of Mellerio's papers is held by the Ryerson & Burnham Libraries at the Art Institute of Chicago.
In 2005 the Museum of Modern Art launched an exhibition entitled "Beyond The Visible", a comprehensive overview of Redon's work showcasing more than 100 paintings, drawings, prints and books from The Ian Woodner Family Collection. The exhibition ran from October 30, 2005 to January 23, 2006. |
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Odilon Redon The Buddha 1905-10
Musee d'Orsay, Paris
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Odilon Redon Winged Old Man with a Long White Beard Musee d'Orsay, Paris
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Odilon Redon The Cyclops 1898/1900
Rijksmuseum Kroller-Muller, Otterlo
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Odilon Redon The Mystical Boat 1890/95
Woodner collection, New York
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Odilon Redon Oriental Woman 1895-1900
Musee d'Orsay, Paris
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Odilon Redon Profile in an Arch Musee des Beaux-Arts, Bordeaux
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Odilon Redon Saint Sebastian 1910
Musee des Beaux-Arts, Bordeaux
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Odilon Redon Mystical Knight 1894
Musee des Beaux-Arts, Bordeaux
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Odilon Redon Phaethon
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Odilon Redon Red Boat with a Blue Sail 1906-07
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Odilon Redon Amemones The Ian Woodner Family Collection, New York
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Odilon Redon The Valkyrie The Ian Woodner Family Collection, New York
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Odilon Redon The Druidess 1893
The Ian Woodner Family Collection, New York
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Odilon Redon Ophelia 1900/1905
The Ian Woodner Family Collection, New York
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Odilon Redon Stained Glass Window 1904
Musee d'Orsay, Paris
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Odilon Redon Portrait of Ari Redon 1898
The Art Institute of Chicago
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Odilon Redon The Predestined Child
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Odilon Redon Portrait of Paul Gauguin 1903-05
Musee d'Orsay, Paris
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Odilon Redon Madame Arthur Fontaine 1901
Metropolitan Museum of Art, New York
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Odilon Redon The Chariot of Apollo 1905-14
Musee d'Orsay, Paris
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Odilon Redon
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French Symbolist Painter, 1840-1916
Bertrand-Jean Redon, better known as Odilon Redon (April 20, 1840 ?C July 6, 1916) was a Symbolist painter and printmaker, born in Bordeaux, Aquitaine, France. Odilon was a nickname derived from his mother, Odile.
Redon started drawing as a young child, and at the age of 10 he was awarded a drawing prize at school. At age 15, he began formal study in drawing but on the insistence of his father he switched to architecture. His failure to pass the entrance exams at Paris?? Ecole des Beaux-Arts ended any plans for a career as an architect, although he would later study there under Jean-L??on Gerôme.
Back home in his native Bordeaux, he took up sculpture, and Rodolphe Bresdin instructed him in etching and lithography. However, his artistic career was interrupted in 1870 when he joined the army to serve in the Franco-Prussian War.
At the end of the war, he moved to Paris, working almost exclusively in charcoal and lithography. It would not be until 1878 that his work gained any recognition with Guardian Spirit of the Waters, and he published his first album of lithographs, titled Dans le R??ve, in 1879. Still, Redon remained relatively unknown until the appearance in 1884 of a cult novel by Joris-Karl Huysmans titled, À rebours (Against Nature). The story featured a decadent aristocrat who collected Redon's drawings.
In the 1890s, he began to use pastel and oils, which dominated his works for the rest of his life. In 1899, he exhibited with the Nabis at Durand-Ruel's. In 1903 he was awarded the Legion of Honor. His popularity increased when a catalogue of etchings and lithographs was published by Andr?? Mellerio in 1913 and that same year, he was given the largest single representation at the New York Armory Show. In 1923 Mellerio published: Odilon Redon: Peintre Dessinateur et Graveur. An archive of Mellerio's papers is held by the Ryerson & Burnham Libraries at the Art Institute of Chicago.
In 2005 the Museum of Modern Art launched an exhibition entitled "Beyond The Visible", a comprehensive overview of Redon's work showcasing more than 100 paintings, drawings, prints and books from The Ian Woodner Family Collection. The exhibition ran from October 30, 2005 to January 23, 2006.
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